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ULaM Lampung, Modal Maju

rap,Bounce-heavyhip-hopbeatwithtightkickandsnappysnare,brightpluckysynthsandwarmbassgroove.Malevocalswithaconfident,conversationalflow;hookbringsinstackedgangvocalsonkeyphrases.Versesstaysparsesotherhythmofthewordscutsthrough;hookwidenswithsubtlechoirpadsandclaplayers.Finalchorusaddsad-libsandextradropsforananthemic,street-levelmotivationfeel.,hip-hop
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ULaM Lampung, Modal Maju

rap,Bounce-heavyhip-hopbeatwithtightkickandsnappysnare,brightpluckysynthsandwarmbassgroove.Malevocalswithaconfident,conversationalflow;hookbringsinstackedgangvocalsonkeyphrases.Versesstaysparsesotherhythmofthewordscutsthrough;hookwidenswithsubtlechoirpadsandclaplayers.Finalchorusaddsad-libsandextradropsforananthemic,street-levelmotivationfeel.,hip-hop
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Ayo Belajar Huruf Hijaiyah

Upbeatchildren’ssingalongwithbrightukulele,handclaps,andlightpercussion;midtempogroovethatinvitescall-and-response,withacatchyalphabet-stylehookandgroupvocalsonthechorus
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Ayo Belajar Huruf Hijaiyah

Upbeatchildren’ssingalongwithbrightukulele,handclaps,andlightpercussion;midtempogroovethatinvitescall-and-response,withacatchyalphabet-stylehookandgroupvocalsonthechorus
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Santa Maria

popchitarraorganomalevoices
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Santa Maria

popchitarraorganomalevoices
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Tak Seindah Kemarin 昨天没那么美

pop,Dramaticpopballadwithguzhengarpeggiosandspaciouspiano;versesstayintimateandclose-mic’d,chorusesswellwithlushstringsandairypads.Femalevocalsstartfragile,thensoarinthehookwithstackedharmoniesandaliftingdrumentrance.Subtleguzhengfillsanswervocallines,finalchoruspullsbacktoahaunting,almostacappellaoutrowithasinglelingeringguzhengphrase.,vocal
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Tak Seindah Kemarin 昨天没那么美

pop,Dramaticpopballadwithguzhengarpeggiosandspaciouspiano;versesstayintimateandclose-mic’d,chorusesswellwithlushstringsandairypads.Femalevocalsstartfragile,thensoarinthehookwithstackedharmoniesandaliftingdrumentrance.Subtleguzhengfillsanswervocallines,finalchoruspullsbacktoahaunting,almostacappellaoutrowithasinglelingeringguzhengphrase.,vocal
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Kanjut Katirisan

pop,Epicpopballadwithguzhenglinesweavingaroundapiano-and-stringsbed,cinematicswellsandaslow-buildarc.versesstartintimateandclose-mic’d,thendrumsanddeeppadsbloomintoadramatic,anthemicchorus.Femalevocalswithairyheadvoiceontheverses,soaringbeltedhooksonthechorus;subtlecounter-melodiesfromlayeredharmoniesinthefinalchorus.,vocal
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Kanjut Katirisan

pop,Epicpopballadwithguzhenglinesweavingaroundapiano-and-stringsbed,cinematicswellsandaslow-buildarc.versesstartintimateandclose-mic’d,thendrumsanddeeppadsbloomintoadramatic,anthemicchorus.Femalevocalswithairyheadvoiceontheverses,soaringbeltedhooksonthechorus;subtlecounter-melodiesfromlayeredharmoniesinthefinalchorus.,vocal
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Tinggal Ma Au

MelancholicBatakpopballad;gentlearpeggiatedguitarandsoftpianoundermalevocals.Firstversestaysintimateandclose-mic’d,thenchorusopenswithwarmpads,subtletoms,andairybackingharmonies.Bridgeliftswithakeychangefeelfromstringswellsandamorepresentkick,endinginaquiet,emotionalfinallineandlingeringreverb.
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Tinggal Ma Au

MelancholicBatakpopballad;gentlearpeggiatedguitarandsoftpianoundermalevocals.Firstversestaysintimateandclose-mic’d,thenchorusopenswithwarmpads,subtletoms,andairybackingharmonies.Bridgeliftswithakeychangefeelfromstringswellsandamorepresentkick,endinginaquiet,emotionalfinallineandlingeringreverb.
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Tinggal Ma Au

MoodyBatakpopballad;mid-tempobandgroovewithcleanelectricguitararpeggios,warmbass,andgentletomfills.Malevocals,intimateandrawontheverses;chorusopenswithairybackingharmoniesandsustainedorganpads.Subtlestringswellslifttheemotionalpeak,theneverythingdropsbacktovoiceandguitaronthefinalline.
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Tinggal Ma Au

MoodyBatakpopballad;mid-tempobandgroovewithcleanelectricguitararpeggios,warmbass,andgentletomfills.Malevocals,intimateandrawontheverses;chorusopenswithairybackingharmoniesandsustainedorganpads.Subtlestringswellslifttheemotionalpeak,theneverythingdropsbacktovoiceandguitaronthefinalline.
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Círculos en la Tarde

Gentleinstrumentalballadat80–90BPM;intimatefelt-pianoleadplayingspaciousarpeggios,brushedstringquartetenteringinsoftswells.Dynamicsriseslightlythroughthemiddlewithricherchordsandalyricalviolincountermelody,thenreturntoadelicate,introspectiveclose.Warmroomreverbandsubtletapesaturationforanostalgic,contemplativemood.
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Círculos en la Tarde

Gentleinstrumentalballadat80–90BPM;intimatefelt-pianoleadplayingspaciousarpeggios,brushedstringquartetenteringinsoftswells.Dynamicsriseslightlythroughthemiddlewithricherchordsandalyricalviolincountermelody,thenreturntoadelicate,introspectiveclose.Warmroomreverbandsubtletapesaturationforanostalgic,contemplativemood.
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Keys in the Empty House

Slow,creakinghorrorscoreforsolopianoandrainSFX;close-miked,intimatekeyswithlotsofpedalanddarkreverb.Sparseleft-handlowclusters,right-handbrokenminorchordsanddissonanthighnotesthatlingerlikedistantfootsteps.Verysoftambientrainundereverything,withoccasionalthunderswells;dynamicsrisefromnearsilencetoatensemid-climax,thenfadebacktoafragilewhisper.Perfectforachilling2–3minutescenereveal.
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Keys in the Empty House

Slow,creakinghorrorscoreforsolopianoandrainSFX;close-miked,intimatekeyswithlotsofpedalanddarkreverb.Sparseleft-handlowclusters,right-handbrokenminorchordsanddissonanthighnotesthatlingerlikedistantfootsteps.Verysoftambientrainundereverything,withoccasionalthunderswells;dynamicsrisefromnearsilencetoatensemid-climax,thenfadebacktoafragilewhisper.Perfectforachilling2–3minutescenereveal.
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Weapons City Roleplay Anthem

High-energyclub-readytrap,boominglowendandsharpclaps,malevocalsinachantyhypetone.Hookisarepetitiveshout-alongwithstackedgangvocals;versesrideabouncy,slightlyswunggroovewithglitchygame-styleFXtuckedlowinthemix.Beatdropsharderoneachhook,finalchorusextendswithextraad-libsandcrowdresponses.
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Weapons City Roleplay Anthem

High-energyclub-readytrap,boominglowendandsharpclaps,malevocalsinachantyhypetone.Hookisarepetitiveshout-alongwithstackedgangvocals;versesrideabouncy,slightlyswunggroovewithglitchygame-styleFXtuckedlowinthemix.Beatdropsharderoneachhook,finalchorusextendswithextraad-libsandcrowdresponses.
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